Padre Pio is a 2022 biographical drama film co-written and directed by Abel Ferrara. It stars Shia LaBeouf as the titular role of Padre Pio, a Capuchin Franciscan priest who receives the stigmata, in the background of the World War I in Italy. The film is a co-production of Italy, Germany and the United Kingdom. During its production, LaBeouf converted to Catholicism as result of his spiritual experiences in character as Pio, who is venerated as a saint by the Catholic Church. The film had its world premiere in the Giornate degli Autori section of the 79th Venice International Film Festival on 2 September 2022. It was released theatrically in the United Kingdom on 26 January 2024 by Dazzler Media and in Italy on 18 July 2024 by RS Productions. == Plot == It is the year 1920. Italian WWI veterans have returned to their impoverished villages. Padre Pio arrives at San Giovanni Rotondo after living with his family in Pietrelcina for a number of years. While still sick, he continues to encounter Satan. Satan reveals himself as the instigator of the war and the sociopolitical problems of San Giovanni. While having little contact with the people of this town, Padre Pio learns what the poor are suffering from in the Sacrament of Confession and the Holy Mass, such as when a crippled man walks again because of Padre Pio's prayer. Besides the effects of war, such as medical inadequacy, health conditions and labourers dying from the effects of mustard gas, the people suffer from corrupt, wealthy landowners. Gerardo, a militaristic anti-socialist, threatens to kill any communal labourers tending his land. Many of them join the socialist party as a way to improve their lives. However, after they win the first free election in San Giovanni, Gerardo's forces massacre many of them. Padre Pio asks God that he may become a suffering servant for their salvation. He receives the wounds of Jesus Christ. The stigmata disrupts Satan's influence on San Giovanni Rotondo. == Cast == Shia LaBeouf as Padre Pio Marco Leonardi as Gerardo Salvatore Ruocco as Vincenzo Cristina Chiriac as Giovanna Brando Pacitto as Renato Luca Lionello as Silvestro Asia Argento as Tall Man == Production == According to Abel Ferrara, actor Willem Dafoe suggested that Shia LaBeouf should be cast for the film's leading role. After Ferrara held several Zoom calls with LaBeouf, the latter agreed to join the film, even though very little money was raised (the film was almost never made) and LaBeouf did the project for free. LaBeouf arrived at Old Mission Santa Inés in July 2021 to learn about Padre Pio with the Capuchin Franciscan friars. Thanks to Father Bobby Barbato and Brother Jude Quinto, Br. Alexander Rodriguez met LaBeouf while he attended Mass every day. He learned about the Catholic Church and the Capuchins while living in his truck or spending a few nights in the Capuchin's guest room. He was immersing himself in the Catholic faith. He enrolled in RCIA, revised the script with Rodriguez and trained to do the Latin Mass. Rodriguez traveled with LaBeouf as his spiritual adviser and catechist and was in the film as Padre Pio's companion. Filming occurred in Apulia, Italy, in December 2021. The first place was at the Capuchin friary in San Marco la Catola. Padre Pio exchanged letters with his provincial and spiritual director while living in Pietrelcina with his family. The time was around 1909–1916. Both directors were living in San Marco during these years. Padre Pio expressed in his letters his deep and mysterious relationship with God and health difficulties. This event is in the film. While filming, LaBeouf slept in Padre Pio's bedroom. After San Marco, filming continued outside the Sanctuary of Saint Michael the Archangel in Monte Sant'Angelo. Traditionally, St. Michael appeared here in the late 400s. LaBeouf stayed and filmed for a few weeks at the Abbey of Saint Mary of Pulsano. It is near the sanctuary. The rest of the filming took place outside the sanctuary. Ferrara said in 2024 that he used AI for the Italian dub of this film. == Release == Padre Pio had its world premiere in the Giornate degli Autori section of the 79th Venice International Film Festival on 2 September 2022. It received a four-minute ovation. It also competed at the Rio de Janeiro International Film Festival. At the Lisbon & Estoril Film Festival, it was chosen to compete for the "Best Film Award." During its North American premiere at the Mammoth Film Festival, it won the "Achievement for Filmmaking" award for cinematography. At the Taormina Film Festival, it premiered worldwide in Italian. In March 2023, Gravitas Ventures acquired North American rights to the film. It was released in select theaters and on video on demand in the United States on 2 June 2023. The film was released in the United Kingdom and Ireland on 26 January 2024 by Dazzler Media. RS Productions released it in Italy on 18 July 2024. == Reception == On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 30% based on 43 reviews, with an average rating of 4.5/10. The website's critics consensus reads, "Tonally unbalanced and burdened with a distracting Shia LaBeouf performance, Padre Pio is one of Abel Ferrara's less divine works." Metacritic, which uses a weighted average, assigned the film a score of 45 out of 100, based on 6 critics, indicating "mixed or average" reviews.. Jordan Mintzer of The Hollywood Reporter gave the film a negative review, describing it as "clunky" and criticizing its political themes for possessing "the subtlety of a cartoon for preschoolers." Brian Tallerico of RogerEbert.com gave the film one and a half stars out of four, describing it as a "dull slog". Journalist Glenn Kenny of The New York Times found the film "occasionally rank" and panned LaBeouf's performance, though complimented Ferrara's "sometimes Brechtian consideration of the nodes of political history and spirituality." Film critic Armond White of National Review also criticized the film, describing it as "a work of deluded, semi-improvisational navel-gazing". Film critic Peter Bradshaw of The Guardian gave the film a positive review, with three out of five stars, writing that it is "a weird film...with an undeveloped, improvised feel, like a fragment or shard of something else. Yet there is a background hum there...an awareness of something dark and malign. It is a minor film but interesting." Writing for The New Yorker, Richard Brody considered that "in its hectic, scattershot way, Padre Pio feels very much of the desperate present day," describing it as "a historical drama without historical distance" and "a wild effort to reach the immediate experience of the past and its furies." Faith-based reviews for the film were generally negative. It received negative reviews from Catholic Answers, The Catholic World Report, The Catholic Weekly, The Catholic Thing, and Crisis Magazine. Conversely, it received a mixed review from The Catholic Review, as well as a positive review from America. Criticisms were generally aimed at the film's sexual content and perceived support of left-wing politics.
Coupled pattern learner
Coupled Pattern Learner (CPL) is a machine learning algorithm which couples the semi-supervised learning of categories and relations to forestall the problem of semantic drift associated with boot-strap learning methods. == Coupled Pattern Learner == Semi-supervised learning approaches using a small number of labeled examples with many unlabeled examples are usually unreliable as they produce an internally consistent, but incorrect set of extractions. CPL solves this problem by simultaneously learning classifiers for many different categories and relations in the presence of an ontology defining constraints that couple the training of these classifiers. It was introduced by Andrew Carlson, Justin Betteridge, Estevam R. Hruschka Jr. and Tom M. Mitchell in 2009. == CPL overview == CPL is an approach to semi-supervised learning that yields more accurate results by coupling the training of many information extractors. Basic idea behind CPL is that semi-supervised training of a single type of extractor such as ‘coach’ is much more difficult than simultaneously training many extractors that cover a variety of inter-related entity and relation types. Using prior knowledge about the relationships between these different entities and relations CPL makes unlabeled data as a useful constraint during training. For e.g., ‘coach(x)’ implies ‘person(x)’ and ‘not sport(x)’. == CPL description == === Coupling of predicates === CPL primarily relies on the notion of coupling the learning of multiple functions so as to constrain the semi-supervised learning problem. CPL constrains the learned function in two ways. Sharing among same-arity predicates according to logical relations Relation argument type-checking === Sharing among same-arity predicates === Each predicate P in the ontology has a list of other same-arity predicates with which P is mutually exclusive. If A is mutually exclusive with predicate B, A’s positive instances and patterns become negative instances and negative patterns for B. For example, if ‘city’, having an instance ‘Boston’ and a pattern ‘mayor of arg1’, is mutually exclusive with ‘scientist’, then ‘Boston’ and ‘mayor of arg1’ will become a negative instance and a negative pattern respectively for ‘scientist.’ Further, Some categories are declared to be a subset of another category. For e.g., ‘athlete’ is a subset of ‘person’. === Relation argument type-checking === This is a type checking information used to couple the learning of relations and categories. For example, the arguments of the ‘ceoOf’ relation are declared to be of the categories ‘person’ and ‘company’. CPL does not promote a pair of noun phrases as an instance of a relation unless the two noun phrases are classified as belonging to the correct argument types. === Algorithm description === Following is a quick summary of the CPL algorithm. Input: An ontology O, and a text corpus C Output: Trusted instances/patterns for each predicate for i=1,2,...,∞ do foreach predicate p in O do EXTRACT candidate instances/contextual patterns using recently promoted patterns/instances; FILTER candidates that violate coupling; RANK candidate instances/patterns; PROMOTE top candidates; end end ==== Inputs ==== A large corpus of Part-Of-Speech tagged sentences and an initial ontology with predefined categories, relations, mutually exclusive relationships between same-arity predicates, subset relationships between some categories, seed instances for all predicates, and seed patterns for the categories. ==== Candidate extraction ==== CPL finds new candidate instances by using newly promoted patterns to extract the noun phrases that co-occur with those patterns in the text corpus. CPL extracts, Category Instances Category Patterns Relation Instances Relation Patterns ==== Candidate filtering ==== Candidate instances and patterns are filtered to maintain high precision, and to avoid extremely specific patterns. An instance is only considered for assessment if it co-occurs with at least two promoted patterns in the text corpus, and if its co-occurrence count with all promoted patterns is at least three times greater than its co-occurrence count with negative patterns. ==== Candidate ranking ==== CPL ranks candidate instances using the number of promoted patterns that they co-occur with so that candidates that occur with more patterns are ranked higher. Patterns are ranked using an estimate of the precision of each pattern. ==== Candidate promotion ==== CPL ranks the candidates according to their assessment scores and promotes at most 100 instances and 5 patterns for each predicate. Instances and patterns are only promoted if they co-occur with at least two promoted patterns or instances, respectively. == Meta-Bootstrap Learner == Meta-Bootstrap Learner (MBL) was also proposed by the authors of CPL. Meta-Bootstrap learner couples the training of multiple extraction techniques with a multi-view constraint, which requires the extractors to agree. It makes addition of coupling constraints on top of existing extraction algorithms, while treating them as black boxes, feasible. MBL assumes that the errors made by different extraction techniques are independent. Following is a quick summary of MBL. Input: An ontology O, a set of extractors ε Output: Trusted instances for each predicate for i=1,2,...,∞ do foreach predicate p in O do foreach extractor e in ε do Extract new candidates for p using e with recently promoted instances; end FILTER candidates that violate mutual-exclusion or type-checking constraints; PROMOTE candidates that were extracted by all extractors; end end Subordinate algorithms used with MBL do not promote any instance on their own, they report the evidence about each candidate to MBL and MBL is responsible for promoting instances. == Applications == In their paper authors have presented results showing the potential of CPL to contribute new facts to existing repository of semantic knowledge, Freebase
OCR-A
OCR-A is a font issued in 1966 and first implemented in 1968. A special font was needed in the early days of computer optical character recognition, when there was a need for a font that could be recognized not only by the computers of that day, but also by humans. OCR-A uses simple, thick strokes to form recognizable characters. The font is monospaced (fixed-width), with the printer required to place glyphs 0.254 cm (0.10 inch) apart, and the reader required to accept any spacing between 0.2286 cm (0.09 inch) and 0.4572 cm (0.18 inch). == Standardization == The OCR-A font was standardized by the American National Standards Institute (ANSI) as ANSI X3.17-1981. X3.4 has since become the INCITS and the OCR-A standard is now called ISO 1073-1:1976. == Implementations == In 1968, American Type Founders produced OCR-A, one of the first optical character recognition typefaces to meet the criteria set by the U.S. Bureau of Standards. The design is simple so that it can be easily read by a machine, but it is more difficult for the human eye to read. As metal type gave way to computer-based typesetting, Tor Lillqvist used Metafont to describe the OCR-A font. That definition was subsequently improved by Richard B. Wales. Their work is available from CTAN. To make the free version of the font more accessible to users of Microsoft Windows, John Sauter converted the Metafont definitions to TrueType using potrace and FontForge in 2004. In 2007, Gürkan Sengün created a Debian package from this implementation. In 2008. Luc Devroye corrected the vertical positioning in John Sauter's implementation, and fixed the name of lower case z. Independently, Matthew Skala used mftrace to convert the Metafont definitions to TrueType format in 2006. In 2011 he released a new version created by rewriting the Metafont definitions to work with METATYPE1, generating outlines directly without an intermediate tracing step. On September 27, 2012, he updated his implementation to version 0.2. In addition to these free implementations of OCR-A, there are also implementations sold by several vendors. As a joke, Tobias Frere-Jones in 1995 created Estupido-Espezial, a redesign with swashes and a long s. It was used in a "technology"-themed section of Rolling Stone. Maxitype designed the OCR-X typeface—based on the OCR-A typeface with OpenType features, alien/technology-themed dingbats and available in six weights (Thin, Light, Regular, Medium, Bold, Black). Japanese typeface foundry Visual Design Laboratory (VDL) designed two typefaces based on the OCR-A typeface: one for Simplified Chinese characters named Jieyouti and one for Japanese characters named Yota G (ヨタG) , both available in five weights (Light, Regular, Medium, Semi Bold, Bold). == Use == Although optical character recognition technology has advanced to the point where such simple fonts are no longer necessary, the OCR-A font has remained in use. Its usage remains widespread in the encoding of checks around the world. Some lock box companies still insist that the account number and amount owed on a bill return form be printed in OCR-A. Also, because of its unusual look, it is sometimes used in advertising and display graphics. Notably, it is used for the subtitles in films and television series such as Blacklist and for the main titles in The Pretender. Additionally, OCR-A is used in the titles and subtitles for the films 13 Hours: The Secret Soldiers of Benghazi and Hoppers (film). It was also used for the logo, branding, and marketing material of the children's toy line Hexbug. == Code points == A font is a set of character shapes, or glyphs. For a computer to use a font, each glyph must be assigned a code point in a character set. When OCR-A was being standardized the usual character coding was the American Standard Code for Information Interchange or ASCII. Not all of the glyphs of OCR-A fit into ASCII, and for five of the characters there were alternate glyphs, which might have suggested the need for a second font. However, for convenience and efficiency all of the glyphs were expected to be accessible in a single font using ASCII coding, with the additional characters placed at coding points that would otherwise have been unused. The modern descendant of ASCII is Unicode, also known as ISO 10646. Unicode contains ASCII and has special provisions for OCR characters, so some implementations of OCR-A have looked to Unicode for guidance on character code assignments. === Pre-Unicode standard representation === The ISO standard ISO 2033:1983, and the corresponding Japanese Industrial Standard JIS X 9010:1984 (originally JIS C 6229–1984), define character encodings for OCR-A, OCR-B and E-13B. For OCR-A, they define a modified 7-bit ASCII set (also known by its ISO-IR number ISO-IR-91) including only uppercase letters, digits, a subset of the punctuation and symbols, and some additional symbols. Codes which are redefined relative to ASCII, as opposed to simply omitted, are listed below: Additionally, the long vertical mark () is encoded at 0x7C, corresponding to the ASCII vertical bar (|). === Dedicated OCR-A characters in Unicode === The following characters have been defined for control purposes and are now in the "Optical Character Recognition" Unicode range 2440–245F: === Space, digits, and unaccented letters === All implementations of OCR-A use U+0020 for space, U+0030 through U+0039 for the decimal digits, U+0041 through U+005A for the unaccented upper case letters, and U+0061 through U+007A for the unaccented lower case letters. === Regular characters === In addition to the digits and unaccented letters, many of the characters of OCR-A have obvious code points in ASCII. Of those that do not, most, including all of OCR-A's accented letters, have obvious code points in Unicode. === Remaining characters === Linotype coded the remaining characters of OCR-A as follows: === Additional characters === The fonts that descend from the work of Tor Lillqvist and Richard B. Wales define four characters not in OCR-A to fill out the ASCII character set. These shapes use the same style as the OCR-A character shapes. They are: Linotype also defines additional characters. === Exceptions === Some implementations do not use the above code point assignments for some characters. ==== PrecisionID ==== The PrecisionID implementation of OCR-A has the following non-standard code points: OCR Hook at U+007E OCR Chair at U+00C1 OCR Fork at U+00C2 Euro Sign at U+0080 ==== Barcodesoft ==== The Barcodesoft implementation of OCR-A has the following non-standard code points: OCR Hook at U+0060 OCR Chair at U+007E OCR Fork at U+005F Long Vertical Mark at U+007C (agrees with Linotype) Character Erase at U+0008 ==== Morovia ==== The Morovia implementation of OCR-A has the following non-standard code points: OCR Hook at U+007E (agrees with PrecisionID) OCR Chair at U+00F0 OCR Fork at U+005F (agrees with Barcodesoft) Long Vertical Mark at U+007C (agrees with Linotype) ==== IDAutomation ==== The IDAutomation implementation of OCR-A has the following non-standard code points: OCR Hook at U+007E (agrees with PrecisionID) OCR Chair at U+00C1 (agrees with PrecisionID) OCR Fork at U+00C2 (agrees with PrecisionID) OCR Belt Buckle at U+00C3 == Sellers of font standards == Hardcopy of ISO 1073-1:1976, distributed through ANSI, from Amazon.com ISO 1073-1 is also available from Techstreet, who distributes standards for ANSI and ISO
David Blei
David Meir Blei is a professor in the Statistics and Computer Science departments at Columbia University. Prior to fall 2014 he was an associate professor in the Department of Computer Science at Princeton University. His work is primarily in machine learning. == Research == His research interests include topic models and he was one of the original developers of latent Dirichlet allocation, along with Andrew Ng and Michael I. Jordan. As of June 18, 2020, his publications have been cited 109,821 times, giving him an h-index of 116. == Honors and awards == Blei received the ACM Infosys Foundation Award in 2013. (This award is given to a computer scientist under the age of 45. It has since been renamed the ACM Prize in Computing.) He was named Fellow of ACM "For contributions to the theory and practice of probabilistic topic modeling and Bayesian machine learning" in 2015.
METAL MT
A machine translation system developed at the University of Texas and at Siemens which ran on Lisp Machines. == Background == Originally titled the Linguistics Research System (LRS), it was later renamed METAL (Mechanical Translation and Analysis of Languages). It started life as a German-English system funded by the USAF. == 1980 == A copy of the Weidner Multi-Lingual Word Processing software was requested by the German Government for the Siemens Corporation of Germany in September 1980 and was nicknamed the Siemens-Weidner Engine (originally English-German). This revolutionary multilingual word processing engine became foundational in the development of the Metal MT project, according to John White of the Siemens Corporation. After the Metal MT, development Rights to the Siemens-Weidner Engine were sold to a Belgium company, Lernout & Hauspie. The Siemens copy of the Weidner Multilingual Word Processing software has since been acquired through the purchase of assets of Lernout & Hauspie by Bowne Global Solutions, Inc., which was later acquired by Lionbridge Technologies, Inc. and is demonstrated in their itranslator software.
Kdan Mobile
Kdan Mobile Software Limited is a software application development company based in Tainan City, Taiwan. Kdan also has branches in Taipei, Changsha, Irvine, California, Japan, and South Korea. The company was founded in 2009 by Kenny Su, the company's CEO. == History == Kdan Mobile was founded in 2009 by Kenny Su (蘇柏州) and develops an application for PDF documents. Su previously worked at the Industrial Technology Research Institute (ITRI) . In 2018, the company completed its Series B round of fundraising, in which it raised 16 million USD in total. Four global firms, Dattoz Partners (South Korea), WI Harper Group (U.S.), Taiwania Capital (Taiwan), and Golden Asia Fund Mitsubishi UFJ Capital (Japan), made up the Series B investment. Kdan previously raised 5 million USD in its Series A round in 2018.
Best AI Sales Assistants in 2026
Shopping for the best AI sales assistant? An AI sales assistant is software that uses machine learning to help you get more done — it keeps getting smarter as the underlying models improve. Pricing, accuracy, and the size of the model behind the tool are the three factors that most affect daily usefulness. Whether you are a beginner or a pro, the right AI sales assistant slots into your workflow and pays for itself fast. We tested the leading options and ranked them by quality, value, and ease of use.